British Infantry 1944-45

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Kendall CCSL 123A, pp. 81–141, 222. Translation by Kendall in Bede, Libri II De arte metrica et de schematibus et tropis / The Art of Poetry and Rhetoric (Saarbrücken 1991), pp. 20 Where Bede did find Donatus inadequate for his students was in the treatment of metrics. To remedy that, he composed the De arte metrica for them. As native speakers of a Germanic language, Bede’s students had no sense of classical Latin vocalic quantity (long and short) or quantitative verse. 21 Bede’s De arte metrica is a systematic exposition of Latin versification fortified by a judicious compilation of examples from Vergil and Christian poets together with selected grammarians’ comments (principally from Servius’s continuation, titled De finalibus, of Donatus’s De pedibus, with excerpts from the late antique grammarians Pompeius, Sergius, Audax, and others).

5, pronounces these translations faulty. 24 Educational Works Christian ars, though detailed, were inadequate to deal with even Christian hermeneutics common since the fourth century. In the light of the exegetical techniques of the Fathers and in view of Bede’s own fondness for allegorical interpretation of Scripture, it is easy to understand why Bede adds to this section on allegory a Christ-centered typology. 31 Here he is attempting a general theory of symbol applied to Christian salvific history.

2. The grammars themselves are found in Grammatici Latini, ed. Heinrich Keil, 7 vols. and suppl. (Leipzig, 1857–70). On Donatus, see Louis Holtz, Donat et la tradition de l’enseignement grammatical: étude sur l’Ars Donati et sa diffusion (IVe–IXe siècle) et édition critique (Paris, 1981). 21 A Companion to Bede and historical works. 19 On the Art of Poetic Meter De arte metrica, ed. C. B. Kendall CCSL 123A, pp. 81–141, 222. Translation by Kendall in Bede, Libri II De arte metrica et de schematibus et tropis / The Art of Poetry and Rhetoric (Saarbrücken 1991), pp.

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